After being shown at the 2013 Venice Biennale and then at London’s Serpentine Gallery in 2019, interest in Kunz’s work has grown. Kunz created more than 500 works as tools to cure her patients, but none of them saw the light of day until 1973 – 10 years after her death – when they were exhibited for the first time at the Aargauer Kunsthaus art center in the Swiss town of Aarau. En españolĮmma Kunz, la artista desconocida que pudo predecir la bomba atómica y hoy fascina a la élite del arte But there was also her artistic side,” reflected Afschar a few hours ahead of the exhibition opening. She also possessed great knowledge about the medicinal use of plants, and she was a great naturopath. “Kunz always considered herself a scientist, and people came to her as a healer. Called Emma Kunz Cosmos: A visionary in dialogue with contemporary art, the show will be on display at the Tabakalera in the Spanish city of San Sebastián until June 19.Īfschar’s first contact with Kunz’s work was in these quarries, now known as the Emma Kunz Zentrum (Emma Kunz Center), before she became acquainted with her conceptual artworks. The first time I visited, I felt like electricity was running through the walls,” explained Yasmin Afschar, art historian and the curator of a new exhibition of Kunz’s work. “Würenlos is a powerful place in the middle of nature, it has a magical atmosphere and transmits a lot of energy. It turned out to be a remedy for inflammation, and the Swiss visionary used it to treat the quarry owner’s son for polio. In 1941, the artist Emma Kunz (1892-1963) discovered a type of powder in the Roman mines of Würenlos, northwest of Zurich, which she named AION A.
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